BOSE L1 Model II & T1 ToneMatch - with 2x B1 Bass BK

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£2918.00
Order Code: SP097260
Bose



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BOSE
L1® Model II double bass package with ToneMatch® audio engine

  • Recommended for lower-range instruments and vocalists
  • Spatial Dispersion™ and Articulated Array® speaker technologies
  • Single-input power stand with retractable legs
  • Four-channel ToneMatch® audio engine with studio-class effects
  • Two B1 bass modules included
New directions in live sound

More than just a new type of loudspeaker, L1 portable line array systems provide a completely different approach to live sound. Using proprietary Bose technology, L1 systems combine PA and monitors into a single, highly portable unit that can be positioned behind or to the side of individuals onstage. This novel approach to amplification helps eliminate most of the issues with conventional PA systems—including excessive reverberation and extreme volume on and near the stage.

Lightweight, interlocking components help make L1 systems especially easy to transport and set up. And their distinctive vertical loudspeaker enclosures don't require separate speaker stands.

What makes an L1 loudspeaker so different?

Vertical line array design of L1 loudspeakers has positive effects on coverageIt begins with the shape. L1 Model I and Model II loudspeakers contain a column of closely spaced small drivers mounted in a slim enclosure. This unusual vertical design has significant effects on the sound. An L1 loudspeaker projects sound waves forward and to the sides at nearly 180 degrees, but very little up and down, reducing unwanted room reverberation. Amplified sound also spreads out more evenly across the stage and into the audience, and the volume level drops off much more slowly than with a conventional speaker.

The L1 Compact loudspeaker array is smaller than those in L1 Model I and II systems, but it produces comparable horizontal sound coverage. L1 Model I and Model II loudspeakers project sound further with less dropoff of volume than the L1 Compact array.

L1® Model II double bass package with ToneMatch® audio engine

The premier Bose® L1 loudspeaker system for musicians―with our smoothest, most consistent sound coverage and most powerful tone-shaping tools. Lightweight and modular, this sleek system fits easily into a car trunk and takes just a few minutes to set up.

Our premium sound system for musicians combines the L1 Model II system and T1 ToneMatch audio engine. This professional sound system provides wide coverage, smooth tonal balance and a suite of studio-class effects and tone-shaping tools. And it's packed with proprietary Bose technologies designed to improve your amplified sound.

Sound advantages—only from Bose

The system's breakthrough loudspeaker produces wide, uniform sound coverage of nearly 180 degrees—onstage and throughout an audience of up to several hundred—with little dropoff in volume and tone.

The Model II system also features Articulated Array speaker technology for better tonal balance. The loudspeaker's 24 vertically mounted drivers are precisely angled to create clearer highs and more consistent tone in the room. Even people off to the sides of these stage speakers enjoy well-balanced, detailed sound.

Powerful multichannel audio engine

Combining the T1 ToneMatch audio engine with your L1 concert speakers gives you exceptional amplified tone and sound processing capabilities. The compact, four-channel engine provides fingertip control of our largest library of ToneMatch presets**. Just touch a button to make hundreds of precise refinements to the sound of instruments and microphones.

The engine also features a complete suite of studio-class reverbs, additional effects and dynamics processing. It connects to the L1 Model II system via a single digital cable for quick, streamlined setup.

Deep bass from small enclosures

Bose L1 Model II systems come with one B1 bass module to ensure more accurate amplification of lower notes for most voices and instruments—including guitars, keyboards and various horns. The double bass package is recommended for use as a bass guitar amplifier, and for kick drums and DJs.

B1 bass modules are considerably lighter and smaller than conventional bass bins required for the same performance. Power up to two bass modules on a single power stand. Add two more bass modules to the system with an optional PackLite® extended bass package.

Light and easy

The L1 Model II power stand weighs only 24 pounds, and its four retractable legs make it very easy to transport and set up. The power stand also has a simplified control section; the single line-level input can be used with instruments, mics, mixers, laptops, MP3 players or DVD systems.

All of the system's components are also built to handle the road. The loudspeaker has a rugged, reinforced grille, and each package includes padded carrying bags for major components.

Features

Cylindrical Radiator and Articulated Array speaker technologies, available only from Bose

Spatial Dispersion™ and Articulated Array speaker technologies in the loudspeaker produce wide, uniform sound coverage. The 24 small drivers are arranged using Articulated Array speaker technology in a slim, vertical enclosure—creating nearly 180 degrees of horizontal coverage and consistent tonal balance. The loudspeaker's two-piece, interlocking design makes for quick and easy setup, breakdown and transport.

Built-in power amps to drive the loudspeaker and up to two B1 bass modules

Integrated power amplifiers in the power stand provide clean, precise amplification for L1 Model II system with up to two B1 bass modules.

Digital audio and power connection for ToneMatch mixer

ToneMatch® port on power stand for digital audio and power connection to ToneMatch audio engine.

Analog input, trim control and signal/clip LED for line-level analog input via ¼" TRS phone cable. Can be used for instruments or other audio sources like DJ mixers, MP3 players, computers or DVD systems.

Bass module out for amplified bass output signal to one or two B1 bass modules. L1 system automatically adjusts equalization appropriately when bass modules are connected.

Bass line out delivers post-DSP bass signal output. Accepts ¼" TRS phone cable. Use to connect powered subwoofer, additional amplification system or Bose® PackLite® amplifier with up to two additional bass modules.

Retractable legs provide stability for streamlined L1 Model II power stand and loudspeaker. Four retractable legs fold out of power stand simultaneously for quick setup and compact transport.

Bass module

Compact, lightweight enclosure is easy to transport, set up and break down. Small footprint takes up considerably less space than traditional bass cabs required for same performance. Interlocking feet let you securely stack up to four modules together on their sides.

Highly efficient speaker design features two 5.25" (13.3 cm), high-output, high-excursion drivers that produce deep, strong bass from a small enclosure. When connected to power stand, active equalization circuitry automatically adjusts bass signal appropriately.

 

ToneMatch audio engine
T1 ToneMatch audio engine features proprietary Bose audio technologies for live sound

Integrated ToneMatch audio engine and audio technologies provide four independent channels featuring our largest library of ToneMatch instrument and microphone presets, proprietary zEQ and a complete suite of studio-class effects and sound processors.

Engine includes over 100 ToneMatch presets for popular instruments and mics

Proprietary ToneMatch presets optimize L1 system to match intended natural sound of specific instruments and vocal mics. Over 100 presets are organized into quick-access banks and can be independently assigned to each channel. Free ongoing updates via USB connection between your computer and ToneMatch audio engine.

Bose zEQ adjusts range of tone controls to match vocals and instruments

Proprietary zEQ automatically adjusts the range of tone controls to match your voice or instrument, making it easier to fine tune your sound. Conventional mixers may have fixed EQ ranges that don't accurately affect desired frequencies when adjusted. But zEQ appropriately redefines low, mid and high frequency ranges of specified sources.

Single-band ParaEQ centers on frequency you specify for each independent channel. Valuable tool for reshaping problematic frequencies in certain venues.

Five reverb types (small, medium, large, plate and cavern) available for global assignment, with individual channel controls for decay time, mix level and brightness.

Three delay types (analog, digital and tape) can be independently assigned to selected channels, with control over feedback time and mix level for each channel. For example, you can select tape delay for your vocal on channel 1 and analog delay for your guitar on channel 2.

Ten modulation effects (three chorus types, two flange types, four phaser types and one vintage tremolo effect) can be independently assigned to selected channels, with control over designated parameters for each channel.

Seven dynamics processing types (three compressors, limiter, de-esser, kick gate and noise gate) can be assigned to independent channels.

Scenes allow you to store, recall and edit "snapshots" of all key ToneMatch audio engine settings at any given time. This feature helps simplify setup when you're using an L1 system repeatedly in different venues. The engine includes five predefined Bose scenes, five My scenes and five Shared scenes you can give to other L1 owners.

Chromatic tuner for convenient tuning of instruments.

Large backlit display with intuitive layout and easy-to-read text for modes and settings.

Rotary encoder for quick access to modes, effects and parameters, including ToneMatch presets, zEQ, ParaEQ, reverbs, delays, modulators, dynamics processing, scenes and tuner. Features clean, circular layout.

Aux mode (channels 1 – 3) send channels' dry, pre-fader or post-fader audio to aux output for connection to additional L1 systems or recording devices. Independent level controls for optimal signal output.

Channel volume, mute and FX mute (1 – 4/5) for adjusting individual channel volume, muting individual channels and muting all effects on selected channels.

Master volume adjusts overall level of master output.

Phantom power applies +48V power to input channels 1 – 3 to drive specific microphones.

ToneMatch cable transfers audio signals and provides power to ToneMatch audio engine from L1 Model II power stand. Use the optional T1 power supply for connections to L1 Model I and Compact systems.

Mounting bar and carriage for securely attaching ToneMatch audio engine to L1 Model I or Model II loudspeaker.

Cover and carrying case help protect engine when storing and transporting.

 

Included items
L1 Model II double bass package


 

Dimensions

L1 Model II Cylindrical Radiator® loudspeaker top
43.5"H x 3.5"W x 4"D ( 110.5 cm x 9 cm x 10.5 cm ) 16.3 lbs (7.4 kg)

L1 Model II Cylindrical Radiator® loudspeaker bottom
43.5"H x 3.5"W x 4"D ( 110.5 cm x 9 cm x 10.5 cm ) 17.4 lbs (7.9 kg)

L1 Model II power stand
5"H x 10"W x 27"D ( 12.8 cm x 26.2 cm x 69.2 cm ) 23.7 lbs (10.7 kg)

B1 bass module
15"H x 10.25"W x 17.75"D ( 38 cm x 26 cm x 45 cm ) 25.1 lbs (11.4 kg)

T1 ToneMatch audio engine
Inputs/outputs
Mic/line inputs (1 - 3)

feature combination analog connectors accepting balanced XLR or unbalanced ¼" TRS audio cables.
Line inputs (4/5, L/R)
for analog stereo connections to keyboards, mixers and computers. Inputs accept balanced ¼" TRS cable. Edit control affects both channels.
Trim controls and signal/clip LEDs (1 - 4/5)

for adjusting levels of input signals. Green/yellow/red LEDs show signal status and help you set gain levels properly.
Preamp outputs (1 - 3)

for connecting channels' dry output signals to recording gear or other amplifiers via balanced ¼" TRS cable.
Aux output
can be used with aux mode to create independent submix of channels 1 - 4/5 to route to other amplifiers or recording gear.
Master analog output
for connecting to additional L1 systems, amplifiers or recording gear via balanced ¼" TRS cable. Select from pre- or post-master volume settings.
ToneMatch port
to connect digital output of engine to L1 Model II power stand via included ToneMatch digital cable.
USB port
for updating ToneMatch audio engine and backing up scenes via USB connection to your computer.
2.67"H x 6.5"W x 8.25"D ( 6.76 cm x 16.6 cm x 20.9 cm ) 2.1 lbs (1 kg)
FAQ
  1. Is this L1 system really a "plug and play" solution? How long does it take to set up?

    All L1 systems feature easy-to-assemble components that take just a few minutes to set up. Each component is relatively lightweight and can be carried by one person with no need for special equipment.

  2. Does every musician need his or her own L1 system?

    No. In some cases—for example, amplifying a larger group on a small stage—testing showed two or more musicians standing or sitting next to each other could share one L1 unit without significantly reducing the core benefits of the system.

  3. In what types of venues can I use this L1 system?

    L1 systems work well in small-to-medium size venues where the majority of live music and spoken-word performances take place—including clubs, coffeehouses, auditoriums, gymnasiums and houses of worship.

  4. Can the system be used as a traditional PA?

    Yes. You can use this L1 system to replace conventional PA mixers and speakers.

  5. For what types of instruments and voices is this system recommended?

    The L1 Model II single bass package with ToneMatch audio engine is recommended for most vocalists, public speakers and midrange instruments, like guitars, keyboards and horns. The ToneMatch audio engine enables setups requiring up to four individual inputs.

  6. What are the benefits of including the T1 ToneMatch audio engine with this system?

    Adding the ToneMatch audio engine immediately expands the system's input capacity from one channel to four channels. The compact engine also features our largest library of ToneMatch presets and a complete suite of studio-class reverbs, effects and dynamics processing—for exceptional amplified tone.

  7. Can I add more bass modules?

    Yes. The system has enough built-in power to handle another bass module that you can add later. You can further expand the system (for a total of up to four bass modules) with our optional PackLite® extended bass package.

  8. Where can I find more technical information and discussions about L1 systems?

Popular add-ons

Bass expansion
B1 bass module

Delivers depth and impact of such instruments as bass guitars, drums and low voices. Low-pitched wind or string instruments, guitars and keyboards can also benefit from the additional low-end output the B1 bass module provides.

Compatible with:
  • L1® Model I and Model II loudspeaker systems

View more details »

PackLite® power amplifier Model A1

Designed for instruments that require additional headroom and increased output in the deep bass range, such as electric bass, bass drum and high-output playback of dance music.

Compatible with:

  • L1® Model I and Model II loudspeaker systems

View more details »

Cables & Cords
Replacement Power stand power cord - 120V

Power cord designed for the electrical current demands of a 120-volt power stand. Connects power stand to AC outlet.

Compatible with:

  • L1® Compact, Model I and Model II systems

View more details »

B1 bass module cable - 5.5 ft (1.7 m)

Heavy-duty, four-pin cable connects bass module to the power stand.

Compatible with:

  • L1® Model I and Model II loudspeaker systems

View more details »

Carry bags
Standard B1 slip cover

Standard slip cover for the B1 bass module. Cover is a direct replacement for the cover included with the L1 Model I bass packages.

Compatible with:

  • L1® Model I and Model II loudspeaker systems

View more details »

Other
T1 ToneMatch® audio engine microphone stand bracket

Mount your ToneMatch audio engine to a microphone stand securely with this convenient, custom bracket. Fast, easy setup.

Compatible with:

  • T1 ToneMatch® audio engine

View more details »

* You may also find useful guides and information to the L1 systems here.

** ToneMatch Presets

Utility
1 Flat
2 50Hz Highpass
3 80Hz Highpass
4 5kHz Lowpass
5 50Hz-5kHz Bandpass
6 50Hz-5kHz Bandpass
Vocal Mics
1 Handheld Mics
2 Headworn Mics
3 Hi Gain:Bright
4 Hi Gain:Normal
5 Audix OM-2
6 Audix OM-3
7 Audix OM-5
8 Audix OM-6
9 Audix VX-10
10 Beyer M88
11 ElectroVoice N/D357
12 ElectroVoice N/D767
13 ElectroVoice N/D967
14 Neumann KMS105
15 Shure SM57
16 Shure SM58
17 Shure Beta 57A
18 Shure Beta 58A
19 Shure Beta 87A
20 Sennheiser E855
21 Sennheiser MD431-II
22 Flat
Electric Guitars
1 Miked Amp w/SM57
2 Line6 Pod
3 General Processor
4 General Direct
5 Flat
6 Miked Amp w/Sennheiser e609
7 Fender Stratocaster
8 Fender Telecaster
9 Gibson ES-335/ES-445
10 Gibson Les Paul
11 Gretsch C. Gent
12 Ibanez Artist
13 PRS Custom 22
14 Rickenbacker 360/12
Acoustic Guitars
1 Steel String w/piezo
2 Steel String w/dyn
3 Steel String w/condensor
4 Nylon String w/piezo
5 Nylon String w/condensor
6 Taylor T5
7 Taylor w/Fishman
8 Guild D25
9 Martin Backpack
10 Martin DC16
11 Martin D28
12 Flat
Keyboards
1 General Keys
2 Fender Rhodes 73
3 Hohner Clavinet D6
4 Wurlitzer 200
Basses
1 Active Bass 1
2 Active Bass 2
3 Active Bass 3
4 Fender Active Jazz
5 Fender 66 P-Bass
6 Fender 69 J-Bass
7 MusicMan Stingray
8 Lakland 55-01/44-01
9 Rickenbacker 4001
10 Rickenbacker 4003
11 Upright w/Fishman
12 David Gage Realist
13 David GageCzechEase
14 NS Design Bass
15 Bass zEQ
Percussion
1 Kick, General
2 Kick, Audix D6
3 Kick, AKG D112
4 Kick w/Sennheiser 601
5 Kick w/Shure Beta 52a
6 General Overhead
7 Overhead, SM57 Diff
8 Overhead, Cond. Diff
9 Hand Percussion, SM57
Winds and Horns
1 Trumpet w/ SM57
2 Trumpet w/ Pro35ax
3 Trombone w/ SM57
4 Trombone w/ RE20
5 Tenor Sax w/ SM58
6 Alto Sax w/ SM58
7 Soprano Sax w/ SM58
Special
1 Accordion w/ Limex MP
2 Electric Mandolin
3 Electric Violin
DJ/Playback
1 Flat zEQ Controls
2 Low Volume Music
3 High Volume Music
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