High-impact, high-density, highly responsive effects...
From our very first revolutionary effects processor (our first product, actually), Alesis has been a mainstay in project studio racks and live sound rigs.
Whether pumping out sweet reverb, lush chorus and flanging, versatile delay, pitch shifting, rotary speaker simulation, or other effects, Alesis processors give musicians and engineers ultra-affordable tools to make great mixes. The MidiVerb 4 and MicroVerb 4 offer the widest variety of effects, programmability, and user locations. The NanoVerb features a preset selection of our top effects with one adjustable parameter each. And the newest member of the family, the PicoVerb, has 16 of our best effects in a too-cool-not-to-love box with 28-bit internal processing. Alesis multieffects: it's never been easier to get some personal space.
|
PICOVERB FEATURES
• Ultra-affordable digital multieffects unit
• 16 presets including halls, rooms, plates, chorus, flange, delay, and rotary speaker
• Stereo 24-bit 1/4” inputs and outputs. 28-bit internal processing, 48kHz sample rate
• Perfect for studio and sound reinforcement applications
• Super-compact 1/4-space rackmount
PicoVerb Details
CONTROL:
Dedicated input, mix, and program select knobs. Power LED.
CONNECTIONS: Audio: 2 inputs, 2 outputs (1/4” TS).
AUDIO SPECS: Converters and resolution: 24-bit A/D/A, 28-bit internal processing, 48kHz internal sample rate. Frequency response: 20Hz - 20Hz +0/-2dB. Distortion: 0.01% THD+N. Signal-to-noise ratio: 101dB (A-weighted). Maximum levels: input +7dBu, output +5dBu.
POWER & DIMENSIONS: Power: 9V AC external transformer, UL and CSA approved. Dimensions: (H x W x D): 1.5” x 4.25” x 5.3” (39mm x 108mm x 135mm), 1/4-U rackmount. Weight: 1lb (0.46kg).
Picoverb Presets
HALL 1: A large, bright concert hall reverb suitable for vocals and instruments.
HALL 2: A large, warm concert hall reverb suitable for drums, piano, and other instruments.
ROOM 1: A medium-sized, moderately bright reflective room reverb suitable for vocals, lead guitars, and other instruments.
ROOM 2: A small, very reflective bright room reverb suitable for drums and percussion as well as electric guitars and other instruments.
ROOM 3: A large, warm room reverb suitable for acoustic instruments.
PLATE 1: A lush, smooth vocal plate reverb with a long decay time and warm tonality.
PLATE 2: Emulation of a vintage plate reverb with bright, slightly tinny tonality and a medium-length decay.
PLATE 3: A short, bright plate reverb effectively creating subtle spaces.
CHORUS: A complex, six-voice chorus ensemble effect with short delays, often referred to as a “Chorus/Doubler”. Discrete stereo signal paths, Slow and watery.
FLANGE: classic stereo flange. A slow, slightly metallic sweep with a discrete stereo signal path.
DELAY 1: A simple slap-back echo with no feedback, particularly effective on vocals and rhythm guitars.
DELAY 2: Medium-length poly-rhythmic delay with crossover feedback. Useful for solo instruments where a long, trailing echo effect is desired.
CHORUS-ROOM 1: Room reverb into a slow flanging modulation creates a spacey effect.
CHORUS ROOM-2: Fast modulation provides a dramatic chorus effect in a small room for a very lush chorus + reverb sound with a discrete stereo signal path.
VOCAL ELIMINATOR: Removes the vocal and lead instruments from the centre of the stereo image of most audio sources.
ROTARY: Fast rotary speaker simulator creates the classic, lush Doppler effect of an organ's spinning horn. Effective on guitars, vocals, keyboards and other instruments.
|