DJM800 ADVANCED STUDIO / DJ / CLUB INSTALL EFFECTS MIXER WITH HARMONIC MIXING FEATURE

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PIONEER



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DJM-800 Pro Club-DJ 4-Channel Mixer
view demo video (17.5mb) *

PIONEER DJM-800
4 Channel Digital Mixer

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Pioneer's new 4 Channel 96kHz/24bit DJM-800 Digital Mixer Blends MIDI Compatibility & Innovative 'Sound Colour' Effects

Pioneer's new professional-grade mixer the DJM-800 offers pure fidelity delivered by the hi-end 96kHz/24 bit A/D converter that's complemented by 61 assignable MIDI control channels and a landmark innovation, 'Harmonic Mixing' capability – that detects a track's key and automatically aligns it to the closest true key, removing inaccuracies created when adjusting the pitch. With digital connectivity, a large bright dot matrix display and a wide range of high quality effects, the DJM-800 enables DJs to perfect pristine mixing.

'We're dedicated to finding new ways to improve the techniques available to DJs to create sensational sets: we achieved it with CD mixing and the genre-defining A/V deck, the DVJ-X1. And we've achieved it again with the Pioneer DJM-800. It offers superlative digital performance, huge MIDI versatility and a new approach to harmonic mixing that replicates the way that DJs intuitively mix music. The innovation, combined with the unit's sonic purity and a range of supporting features will advance mixing techniques – it's the type of breakthrough that clubs, professional DJs and the emerging generation of artists expect from Pioneer,' comments Jason Pook, product planning manager, Pioneer Europe.

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Sonic purity is a given from Pioneer and the DJM-800 inherits the high fidelity technology of its big brother the DJM-1000. The analogue signal from the player is immediately digitised (through the shortest possible route) by a pro A/D converter at 96kHz/24bit, reaching the ultra-powerful (32bit) Digital Signal Processor without deterioration of quality.

Digital inputs and outputs support transparent signal processing between Pioneer's CDJ and DVJ series of digital decks delivering immaculate audio quality. With input frequencies of 44.1/48/96kHz and selectable output frequencies of between 48/96kHz it's a perfect mixer not only for the club professional but also recording studios where high fidelity sound is required.

Another key feature is the fully assignable MIDI function. This means that MIDI signals can be sent from almost all knobs and switches on the surface of the Pioneer DJM-800 (a total of 61 assignable controls) to external midi equipment. With this level of MIDI flexibility, the DJM-800 can be used as a versatile interface to control any MIDI controllable lighting, software and MIDI enabled video mixers. To extend the intuitive operation of the unit, optional rotary volume knobs are available to replace the main volume switches – a feature that supports more subtle and precise mixing.

Extensive dialogue with some of the world's top DJs and sound engineers provided the catalyst to create new, intuitive techniques to effect the perfect mix, resulting in 'sound colour effects' - a whole new style of DJ mixing. In music terms, if the DJ adjusts a track in the key of C by +3%, it slips out of the C band to between C and D. This makes it impossible to perform a perfect harmonic mix, unless harmonic tuning is applied. Harmonic tuning takes whatever key the source audio is in and adjusts the pitch until the key reaches a standard note. World class DJs currently spend thousands of hours learning the keys of their music and re-mastering their library to be in 'perfect pitch' - this innovation makes it that little bit easier to deliver smooth mixes time and again. The unit also offers 'filter', 'sweep' and 'crush' effects through a highpass/lowpass filter, notch filter and bit crusher effect for all line channels.

In keeping with Pioneer's relentless drive for innovation it has complemented its familiar effects with some new techniques for a package that includes: Echo, Delay, Reverse Delay, Pan, Transform, Filter, Flanger, Phaser, Reverb, Robot, Chorus, Roll and Reverse Roll. The effects automatically detect the BPM of the music and sync to the beats. In conjunction with the additional Digital Beat Effects, 50 combinations of effects are possible.

Like the DJM-1000, the DJM-800 also has the same high rigid chassis for minimizing unnecessary vibration that could adversely affect sound quality. It is based on the same layout and footprint as the DJM-600, providing the natural and familiar feel known to DJs across the world. It also incorporates a dual-shield structure for eliminating entry of digital noise and a high performance power supply.

Additional features

The DJM-800 has a massive range of features. Some of the additional highlights include:

Cross fader assign: to assign each channel's input to the cross fader
Fader curve adjust: to change the cross fader/channel fader curve
Fader start: connect a Pioneer CDJ player with a control cable and playback can be started by simply sliding the cross fader or channel fader
3-Band Equalizer: a built-in equalizer on each channel enables level control within a –26dB to +6dB range for high, mid & low bands, respectively
Talk over: automatically attenuates the volume by -20db so an MC can talk over the track
Mic signal cut: Eliminates the microphone sound output to the booth monitor to prevent feedback
Peak level meter: Check the peak level of the input audio for each channel as well as the master
• Master output rotary knob
• Master output attenuation switch
• Twin mic level adjustment
• Optional rotary faders available (DJC-800RV)

FEATURES

4 Filters, assignable to each Channel

This section gives you ultimate control over 4 different filters. Each can be activated on each channel of the DJM-800. You first press one of the blue buttons to select a filter type then rotate the knob of the channel where you want to apply the effect. The parameter you change differs per effect.

Harmonic Mix

The Pioneer DJM-800 will automatically get the key of your track and set this to the center position of the parameter knob. When rotating the parameter knob you can change the actual key of the track to get it in harmonic order with the other one.

When the knob is in center position, the key is played at it's original frequency. When rotated the key is changed in steps of half a tune (1 red marker in the image). So when a track is originally in D, the first step up is D# and the first step down is C#.

Sweep

This is an all new Pioneer effect. The parameter knob has a double function. When rotated left, it reacts as a Band Pass Filter. When rotated right it reacts like a Notch Filter. The filtering is based at 1 kHz frequency, this is the frequency where vocals are most powerful present (generally speaking).

When using the filter on 2 channels at the same time you get an all new way of mixing your tracks. Track B comes in with a notch (rotated all right), when starting your mix, gently rotate the parameter knob of track B to the center position and at the same time rotating the parameter knob of track A to the left (activating the BPF).

Bit Crusher

click to enlargeTo some this might sound like a heavy distortion, but in fact this filter crushes the sound. It actually creates a sound like it moderates the sample rate. This gives a very heavy sound.

When the parameter knob is rotated left the Bit Crushers parameter is changed. When rotated right, besides this parameter, it also acts as a LFO.

Filter

The second filter function is a Low Pass Filter and a High Pass Filter in one function. When the parameter knob is in center position the filter is in neutral position. The sound is not filtered at this point. When the knob is rotated left it's a LPF, when rotated right it's a HPF.

And since each channel has it's own filter you can easily use this filter to create a Filter Mix, making the actual transition very fluid if rotated on both channels at the same time.

click to enlargeFull MIDI control
The second filter function is a Low Pass Filter and a High Pass Filter in one function. When the parameter knob is in center position the filter is in neutral position. The sound is not filtered at this point. When the knob is rotated left it's a LPF, when rotated right it's a HPF.

And since each channel has it's own filter you can easily use this filter to create a Filter Mix, making the actual transition very fluid if rotated on both channels at the same time.

Display
New on a Pioneer mixer is the bright Display showing you all necessary information:

Effect Name: The name of the selected effect, which channel the effect is active on and the time parameter that's calculated with the BPM.
Selected Channel: surrounded by a red square you get a very clear indication which channel is routed through the Effect Section.
BPM Parameter: The top number is the current tempo of the current tracks. After calculating the BPM (BPM is flashing) the BPM indication is fully lit and an accurate BPM is measured. Below the BPM reading you see the calculated time parameter that is related to the current BPM.

Beat < and >
The time (BPM related) parameter Effect Section can be changed instantly by pressing any of the Beat < or > button. After a press, the time parameter is divided or multiplied by 2.

Auto / Tap
When Auto is pressed the automatic BPM counter of the DJM-800 is activated. When you start tapping the TAP button and sequentially hit it a few times, the DJM-800's effect section gets linked to the tempo you've just tapped.

Midi Start/Stop
Sends out a Midi start of stop pulse to the Midi Output.

Cue
Activate it to pre-listen your effects with the headphones.

Beat Effects
The quality of the effects is 96kHz/24-bit, which is the same technology as used in the EFX-1000. There are 13 different build in effects onboard, each linked to the beat by a accurate BPM counter. This makes it possible for you to focus on other things. Just use the arrow keys just under the display to get the parameters calculated automatically.

When you doubt that the BPM counter is wrong you can easily Tap along with the beat and the Effects are linked to the tempo you've just set. My experience is that the BPM counter can be trusted, it is seldom off.

    1. Delay
    2. Echo
    3. Reverse Delay
    4. Pan
    5. Trans
    6. Filter
    7. Flanger
    8. Phaser
    9. Reverb
    10. Robot (Pitch/Vocoder)
    11. Chorus
    12. Roll (simple sampler)
    13. Reverse Roll (reverse sampler)

Of course it is possible to set the effect section on Send/Return so you can use any external effects unit you would like

Effects Routing
You can assign the effect section to any audio channel there is: Channels 1~4, Microphone Cross Fader side A, Cross Fader Side B and...

Time
Changes the time parameter of the effect manually for even more creativity.

Level/Depth
Although the exact functionality varies a little bit, this is the amount of effect you add to the original signal.

Toggle On/Off
With an illuminated button the Effects section can instantly be toggled on and off. Use this on the beat for lots of cool combinations.

Input Selector
Switch between Line, digital and Phono input

Gain Trim
The Gain Trim has a range from infinite (silent) to +9db. The optimal setting of the Trim is around 12 O'clock (0dB).

Channel EQ Range

Treble

-26 ~ +6 dB (@ 13 kHz)

Mid

-26 ~ +6 dB (@ 1 kHz)

Bass

-26 ~ +6 dB (@70 Hz)

This is something that is already integrated to the EQ rotaries in the DJM-600/DJM-707/DJM-909/DJM-1000:

Pioneer DJM-1000 EQ rangingIn horizontal position to the left, the EQ is cut down to about -12dB.

When you rotate further down than horizontal to the left, the frequency of the EQ 'killed' to a level of -26 dB. The last part is in a logarithmical scale.


If you want to gently fade in a track you might want to start with the EQ not all the way down, but around horizontal to the left. The kill is in most cases too much for gentle mixing...

Channel Faders
Are made by Alps and.... With a 3-step switch you can set the envelope of the faders from linear to logarithmical and right in between.

Cross Fader A/B Selector
Use to route a channel to the designated site of the Cross Fader. When THRU is selected, the Cross Fader is bypassed.

click to enlargeVU Meters & Master Level

Do yourselves (and all sound engineers) a favor and keep the master VU-meter reading out of the red. This is the way to gain maximum benefits out of the sound quality of a mixer (Maximizes Signal-to-Noise level).

This is not only for Pioneer mixers, but is is valid to all DJ mixers.

Balance
Sets the positions of the sound from left to right, when centered you feel a click.

Cue
When activated you can pre-listen the master. Also used to send the master signal to the left headphones output when split function is enabled.

Mic Cut
Mutes the signal that is coming in through the microphones.

Booth Monitor
Control the Monitor Output for your monitor speakers.

Mic Input
The Primary Microphone Input features a combi connector that makes it possible to insert a microphone with a Jack or and XLR type connector. Most professional microphones have an XLR type connector, that give a more reliable connection than with a Jack Phone type connector. Phantom power is not supplied so you can only use dynamic microphones, but that is main type of microphone that is available.

There is also a second Microphone Input with a Jack type connector, this channel has a separate Input Trim but uses the same EQ setting as the Combi input.

Microphone Level
You can set the level of both microphones in the range from infinite (not hearable/muted) to 0dB. Both microphones can be used at the same time and on a different level but the EQ setting for both is the same.

Microphone EQ
Bass -6 ~ +6 dB (100 Hz)
Treble -6 ~ +6 dB (10 kHz)

Microphone Selector
With this switch in the most left position (OFF) the microphone signal is muted and not hearable on the master. The same effect as if the Mic Level is set to infinite.

When set to the center position (ON) that microphone signal is mixed with the Master, the level is set by the Mic Level rotary.

The most right position (TALK OVER) activates an input controlled mute, also called Talk Over. When a sound is detected on the Microphone Input higher than -15dB all channels will be attenuated with -20dB.

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Specifications

Channels

No. of Channels

4

Channel EQ

3 band

EQ Range

-26 ~ +6 dB

Rotary Faders

Optional

Level MeterType

Individual

Level Meter Size

15 Segment

Input

CD/LINE Input

5

PHONO Input

3

Digital Input (Coaxial)

4

MIC Input (XLR)

1

MIC Input (1/4 inch Phone)

1

RETURN (1/4 inch Phone)

1

Output

Master Output (XLR)

1

Master Output (RCA)

1

Booth Output (1/4 inch Phone)

1 (T.R.S.)

Rec Out (RCA)

1

Digital Out (Coaxial)

1 (48 kHz or 96 kHz)

MIDI Out (Din)

1

Send (1/4 inch Phone)

1

Master

Master Balance

Yes

Stereo/Mono Switch

Yes

Level Meter Size

15 Segment

Master Out Attenuator

Yes

Cross Fader

Cross Fader Type

Carbon Rail

Fader Curve

3

Assignable

Yes

Field Replaceable

Yes

Monitoring

Booth Monitor

Yes

Effect/Sampler

Beat Effect

13

Auto BPM Counter

Yes

MIDI Global Clock

Yes

Roll Sampler (Fwd)

Yes

Roll Sampler (Reverse)

Yes

Effect Level & Depth Volume

Yes

Mic

Mic Connection

Neutrik Combo (x 2), Phone (x1)

Mic EQ

2 band

Mic EQ Range

-12 ~ +6  dB

Talkover

3 Position Switch

Talkover Attenuator

Yes

General

Color

Black

Dimensions (W x H x D)

320 x 381 x 108 mm

Weight

8 kg

Power Consumption

30 Watt

SN Ratio: Line

105 dB

SN Ratio: Phono

88 dB

SN Ratio: Mic

84 dB

Harmonic Distortion

0.005%

Crosstalk

82 dB

 

*note: as Windows Media Player has known playback issues in Windows XP, if the video does not play correctly in your player, it may be resolved by first downloading the file and then playing it or playing it using Media Player Classic (which can be freely downloaded via most search engines).

 

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