System includes:
WL93 Lavalier Microphone
PGX1 Bodypack Transmitter
PGX4 Wireless Receiver
PGX Performance Gear Carrying Case
Shure WL93 Lavalier Microphone
WL93 Microphones are economical omnidirectional, subminiature, lavalier, condenser microphones designed for general speech applications where a visually unobtrusive microphone is desirable. All WL93 models are supplied with a mounting block with attached tie bar, a sew-on mounting bracket, and an acoustic windscreen to minimize wind noise in outdoor applications. All WL93 models include a cable terminated with a 4-pin mini connector which connects directly to a Shure wireless body-pack transmitter.
WL93 Features
• Subminiature lavalier design: ideal size for theatre, television
broadcasting, video, film, and sound reinforcement
• Small, inconspicuous mounting hardware
• Full, clear sound comparable to larger microphones
• Smooth extended frequency response with presence rise
specially tailored for chest-worn microphone operation
• Controlled low-frequency rolloff reduces low-frequency
clothing and room noise
• Low distortion, wide dynamic range
• Uniform omnidirectional polar pattern
Shure PGX1 Bodypack Transmitter
Shure's PGX4 receiver makes wireless setup a snap. With features like Automatic Frequency Selection and Automatic Transmitter Setup, the PGX4 offers the best in wireless to performers on the go. Performance Gear Wireless Systems feature Shure's patented Audio Reference Companding for crystal-clear sound beyond the limits of conventional wireless technology.
PGX1 Features
• Automatic Transmitter Setup
• Multifunction LED indicator (power, lockout, mute, low battery)
• -10dB pad
• 8 hours of continuous use with 2 AA batteries
• 18MHz operating range
Shure PGX4 Wireless Receiver
Shure's PGX4 receiver makes wireless setup a snap. With features like Automatic Frequency Selection and Automatic Transmitter Setup, the PGX4 offers the best in wireless to performers on the go. Performance Gear Wireless Systems feature Shure's patented Audio Reference Companding for crystal-clear sound beyond the limits of conventional wireless technology.
PGX4 Features
• Automatic Transmitter Setup
• Automatic Frequency Selection
• 90 Selectable frequencies across 18 MHz bandwidth
• 1/4 wave antennas
• Microprocessor- controlled diversity
• Channel display LED
• XLR and 1/4" outputs
Shure PGX Performance Gear Carrying Case
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Name a style of music. If it's been amplified, Shure's been there. They are there now... and will always be there. Music's best performers and producers rely on Shure. The fact is, over 300 of the worlds most successful musical artists endorse Shure products. The pros use Shure Products. How about you?
"Because of your equipment, my concerts are in perfect clarity. I'm 'Shure' of that."
- Leann Rimes
"The first mic I ever bought was a Shure. I can't recall the model, but it certainly wasn't a cordless. That was 1968 and I've always used Shure since. Oh, I've tried different microphones, but they sucked."
- Ozzy Osbourne
"I've always been in love with those microphones [Beta 57A]; I sing all my vocals through them. I take mine to the studio, too. To be honest, I've never found a sound I like better."
- PJ Harvey
"I took the mic [SM58] up in front of the crowd and said, 'These are the best mics in the world because you can do this!' and I literally slammed it on the floor. I bent over and calmly picked it up and carried on speaking. It was still perfect."
- Roger Daltrey
"The Who have always used Shure products. Shure is a part of rock 'n' roll history. They were there at the beginning, for that first wave. They are highly valued today and will be in the future."
- Pete Townsend
"A reliable, well-made product [Beta 58A], a directional instrument, handheld, has a weight and balance which becomes instinctive in live performance. Work it."
- Debbie Harry
"My first band couldn't afford Shure microphones...we couldn't even afford spaghetti! When we started getting a little success, the first thing we did was go out and get Shure microphones. It was like having a Rolex for your mouth!"
- Alice Cooper
"Just before the formation of Jethro Tull thirty-two years ago, I traded in my '65 Fender Strat for a Shure Unidyne III and a beginner's model $60 flute. Thus began my love affair with not one but two of the most important instruments known to man!"
- Ian Anderson
"They [Beta 87A] have a sensitive sound, and are very expressive. On stage or in the studio, they translate anything I do or say very precisely. Whatever I put in comes out sounding the same way; there's no false coloration."
- Brian Wilson
"I have been using Shure microphones live and in the studio since I started. Since I do all my live work with these mics, the sound of my voice going into a Shure is how I hear my voice when working."
- David Gray
"The first microphone I ever had was a Shure wireless mic. It's never let me down, unlike some other relationships I've had in my life. So why go with anyone else?" - Christina Aguilera
"In choosing Shure for my performances over the years, the quality and consistency has always been first class. My vocals are always crisp and my guitar sound is loud and clear."
- Buddy Guy
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